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Art Direction: Walter H. Tyler, Cinematography: Lionel Lindon, Screenplay: The next day, Chandler said he would be able to finish the film if he resumed drinking.
Houseman said that the writer's requirements were "two Cadillac limousines, to stand day and night outside the house with drivers available," "six secretaries," and "a direct line open at all times to my office by day, to daahlia studio switchboard at night and to my home at all times. It wasn't the drinking that was dangerous, he explained, since he had a doctor who gave him such massive injections of glucose that he could last for weeks with no solid food at all. It was the sobering up that was parlous; the terrible strain of his return to normal living.
The scenes we had to cut out because she loused them up! And there are three godawful close shots of her looking perturbed that make me want to throw my lunch over the fence. Double-barrelled action!
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Rated The Blue Dahlia in Good Quality with movie summary "This film noir stars Alan Ladd as a war veteran framed for the murder of his own wife and follows his search for the real murderer. Veronica Lake plays the sultry femme fatale who provides unexpected help. George Marshall, Screenplay: You can too watch unlimited latest movie titles totally free by registering as their member. You simply takes 2 minutes to choose as well as variant latest movies totally free Set Decoration: Sam Comer, Cinematography: The writer is Raymond Chandler, which is as fine a pedigree a film noir movie could get.
Alan Ladd goes to his wife's home, a swank hotel and bungalow complex that seems perhaps a bit more than his allotment checks could have paid for and he stumbles upon a late afternoon cocktail party in her Thd. We receive more telegraphing of clues when Alan Ladd goes to the desk clerk and asks for his wife's apartment and we see the bellhops and the desk clerk exchange arch expressions as onoine they did not know that his wife was married and we may Tje that she has been carrying on with others. Alan Ladd knows nothing of this and walks into the party.
His wife, played by Doris Dowling in her fourth film, is completely surprised, prickly, jittery, not knowing how to welcome him, especially when she has her lover in the apartment, Howard Da Silva. Da Silva is as smooth and articulate a bad guy as ever graced a film noir. He runs a local nightclub called the Blue Dahlia and his calling card is to present guests and lady loves with massive arrangements of the large blue flowers. When Alan Ladd from behind a door sees his wife with her arms around Da Silva, kissing him, Ladd interrupts and slaps Da Silva across the mouth. Da Silva graciously backs down and leaves. We will later discover, as he discusses with his partner in his club, that he is perfectly willing to let Alan Ladd's wife return to her husband because he is tired of her.
A hero can get away with anything.
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datig Ladd, b,ue plays scenes with a great deal of control and an appropriate sense of weariness, retreats to the bedroom where he has only just begun to unpack and he sees two photos datihg a double frame. One is his service photo and on the other is a portrait of their deceased son, Dickie. Dickie died while still a baby. He contemplates the photo; she had never sent him one. When the guests leave, hustled out, they are alone and Ladd tries to get her to put down her drink, which seems to be attached her hand, so that they can talk. The Blue Dahlia Year of movie: CrimeDramaStatus of movie: Released Companies of movie: Paramount PicturesCountries of movie: